It seemed a little too stiff, a little too dependent on reaching a specific audience, a little too safe. I wasn't really a fan of Pink Friday, her debut. There, in the span of one verse, were a handful of Minaj's personas, as the NYC rapper asserted herself as both masculine ("My money's so tall") and feminine ("That my Barbie's gotta climb it"). I still have to think back to Nicki Minaj's verse on Kanye West's "Monster," what seems like an eternity ago, when people start breaking her down.
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